Profil użytkownika eric-hynes
C.O.G. (2013)
An adaptation of a short story from David Sedaris’s best-selling Naked collection, C.O.G. (short for “Child of God”) struggles from the outset to retain the snap of the NPR favorite’s hyp...
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Mother of George (2013)
Working from a script by playwright Darci Picoult, Dosunmu fashions a tale that’s realistic, melodramatic and culturally specific (we spend as much time ogling colorfully patterned dresse...
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La Maison de la Radio (2013)
Given only hints of personalities and the thinnest strands of stories, we’re left with a hum of tinny snippets instead of anything that resembles the glorious noise of people putting on s...
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The Lifeguard (2013)
This drama is as listless and self-regarding as its protagonist, flitting among underdeveloped characters and subplots and indulging in rote emo shots by the pool, yet never figuring out ...
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The Internship (2013)
A movie sorely bereft of ideas, laughs and justification for the comic duo’s undifferentiating self-regard.
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Augustine (2012)
Plays like a gothic prequel to David Cronenberg's "A Dangerous Method," one in which human flesh is viewed as both horrific and erotic terrain.
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The Big Wedding (2012)
Cloyingly crude and dispiritingly typical ensemble Hollywood farce.
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Midnight's Children (2012)
A miniseries, which the BBC once planned, might have worked. In this form, Midnight’s Children has the paradoxical misfortune of being both too rushed and too wearingly long.
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Reality (2012)
This vision of contemporary Italy as a warped fairyland filled with corpulent slobs and seedy C-grade celebrities recalls the tough-love spectacle of Fellini’s "La Dolce Vita," but Realit...
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The End of Love (2012)
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It’s a kind of self-portrait made out of quotidian meals, naps and scattershot car-seat conversations, and though the loss that underlies Mark’s emotional state feels like a scripted conc...
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